There’s a root of unsettling beauty at the core of McQueen. Its founder created collections inspired by Hans Bellmer’s creepily conjoined poupées, ringed models in fire to approximate Jeanne d’Arc’s immolation, devoted a couture outing to the reanimated, Frankenstein-like women stitched together by a Victorian counterpart to Ed Gein, whose gruesome creations came back to life to seek their revenge. A parable for plastic surgery, to some of the mosthellip;

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