{"id":1055,"date":"2026-04-06T11:30:00","date_gmt":"2026-04-06T08:30:00","guid":{"rendered":"http:\/\/www.tadoley.com\/?p=1055"},"modified":"2026-04-06T11:30:00","modified_gmt":"2026-04-06T08:30:00","slug":"this-performance-artwork-wants-us-to-feel-things-differently","status":"publish","type":"post","link":"https:\/\/www.tadoley.com\/?p=1055","title":{"rendered":"This Performance Artwork Wants Us to \u201cFeel Things Differently\u201d"},"content":{"rendered":"<p><a href=\"https:\/\/www.anothermag.com\/art-photography\/17074\/edward-thomasson-the-whole-routine-performance-art-musical-theatre?utm_source=Linkamp;utm_medium=Linkamp;utm_campaign=RSSFeedamp;utm_term=this-performance-artwork-wants-us-to-feel-things-differently\"><img decoding=\"async\" src=\"https:\/\/images-prod.anothermag.com\/786\/azure\/another-prod\/470\/1\/471821.jpeg\" alt=\"Edward Thomasson, The Whole Routine \" \/><\/a><\/p>\n<p><span>Performance is the prism through which London-based artist <\/span><strong>Edward T<\/strong><strong>homasson<\/strong><span> understands the world. Rather than perceiving the act of performing as an affectation, he feels that \u201cw<\/span><span>e present and conceal parts of ourselves depending on what feels bearable or possible. Then we devise ways, through performance \u2013 sex or otherwise \u2013\u00a0to reveal ourselves again\u201d.<\/span><\/p>\n<p><span>This is the key to T<\/span><span>homasson\u2019s practicehellip;<\/span><\/p>\n<p><a href=\"https:\/\/www.anothermag.com\/art-photography\/17074\/edward-thomasson-the-whole-routine-performance-art-musical-theatre?utm_source=Linkutm_medium=Linkutm_campaign=RSSFeedutm_term=this-performance-artwork-wants-us-to-feel-things-differently\">read more raquo;<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Performance is the prism through which London-based artist Edward Thomasson understands the world. Rather than perceiving the act of performing as an affectation, he feels that \u201cwe present and conceal parts of ourselves depending on what feels bearable or possible&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":1056,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/posts\/1055"}],"collection":[{"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1055"}],"version-history":[{"count":0,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/posts\/1055\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=\/wp\/v2\/media\/1056"}],"wp:attachment":[{"href":"https:\/\/www.tadoley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tadoley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}