When Mark Jenkin scooped a Bafta for Outstanding Debut with Bait in early 2020, it felt like the arrival of a fantastic new voice in British film. That was only half true. Jenkin is actually the last thing from an overnight success; he has been actively toiling as a director, writer, editor and cinematographer since the turn of the millennium. Jenkin’s labours are evident in his feature films – since Bait, he’s directed thehellip;

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