“I think the boundaries that you had in the past, where you had pigeonholes of art and craftsmanship, are over,” says Dries Van Noten when we meet in Venice. “The machines are taking over.” We’re in the Palazzo Pisani Moretta on the banks of the Grand Canal, originally built in the 15th century and used as a warehouse, a place of trade. Today, it’s been reinvented as the home of the Fondazione Dries Van Noten, home to a differenthellip;

read more raquo;

nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;
View Gallery (20 images)nbsp;