Petra Collins occupies a rare position – she is a photographer who has become, in her own right, a public figure. Few other contemporary image-makers shoot as many magazine covers as they star on them (the Canadian-Hungarian artist holds one of her green eyes closed on the front of this month’s i-D), while her output has been widely praised beyond its beauty to be culture-defining. So connected to the aesthetics of modern girlhoodhellip;

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