It’s not until towards the very end of Walter Pfeiffer. In Good Company – the octogenarian artist’s new exhibition at Turin’s Pinacoteca Agnelli – that fashion photography, in a formal sense, is introduced. When it is, it is in the form of a triptych, three vividly colour-saturated portraits of the model Eva Herzigová, sequinned garments sparkling in Pfeiffer’s camera flash. In the centre image, a goldfish in a plastic bag hangs from her wrist beside ahellip;

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