To paraphrase The Sound of Music – possibly the least appropriate filmic reference ever, given the subject matter – how do you solve a problem like Versace? Actually, that’s rude. Versace isn’t a problem, it’s a fucking gem, a treasure, a vaulted palazzo ceiling of fat floating cherubs and cow-eyed gods and goddesses. It’s a Caravaggio painting, a Puccini opera. In short, an Italian masterpiece. But how do you tackle the problemhellip;

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