Doug Aitken dials in from his California home, seated against a lush backdrop reminiscent of scenes from his film Lightscape. The whole house is a kind of artwork-musical instrument of the artist’s devising – including the table he’s sitting at, which he explains is made of slices of marble that are tuned and can be played. “The house can be ‘turned on,’” he says. “There’s microphones that go into the earth, and they canhellip;

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