During a stay at her family home in Outer Island, Connecticut, in 1949, artist Susan Weil introduced her then-husband Robert Rauschenberg to the practice of making cyanotypes – a method of image-making involving exposing blueprint paper to light, using figures and objects to obscure the light and leave impressions on the paper. During the next few years, the pair continued to work together on blueprint artworks. Now, this series of ethereal images of deephellip;

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