The value ascribed to so-called ‘women’s work’ has long held a fascination for Scottish artist Caroline Walker. In 2016, she began looking closely at London’s service industries – first nail bars, their rows of polish glinting like a painter’s palette, then tailors’ workshops, hotel corridors, hospital labs. In these quiet observations, Walker was privy to the largely invisible economic and emotional architectures that sustain the city and the subtle ways quotidianhellip;

read more raquo;

nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;
View Gallery (10 images)nbsp;