Walking down the eastern end of the Strand in London, Louise Giovanelli’s new public artwork appears like a mirage. St Mary le Strand, a 300-year-old baroque church designed by James Gibbs, has been transformed by the artist, with a vast trompe l’oeil shimmering silver curtain attached to its side. Grand in scale and ambition, Decades is haunting in its strangeness, inviting questions around notions of worship, devotion andhellip;

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