Even shrunk down on a tiny Zoom display, it is difficult not to be slightly in awe of Jafar Panahi. Probably the world’s most famous dissident filmmaker, he is also one of Iran’s most prolific – this despite a 20-year filmmaking ban, during which he has made six feature films in secret. One of them, 2011’s meta-documentary This Is Not a Film, was smuggled out of Iran on a USBhellip;

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