In 2011, Helmut Lang – the Viennese-born, New York–based conceptual practitioner whose work reshaped fashion’s visual culture in the 1990s and early 2000s – entrusted the MAK with the largest public archive of his oeuvre. Comprising more than 10,000 artefacts, the archive encapsulates the disruptive, multidisciplinary practice through which Lang operated as a pioneering cultural architect from 1986 until 2005, when he left the fashion circuithellip;

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