Béla Tarr is the kind of name you might expect to see thrown around in the most hardcore of cinephile circles. The Hungarian auteur, known for philosophically challenging films shot in stark monochrome, has a filmography that’s difficult to find at the best of times. Even the Criterion Collection, so often seen as the home for challenging artefacts of film history that more commercial distributors might baulk at, have only released one of hishellip;

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