Mohammed Sami’s paintings, with their dexterous manipulation of light, scale and perspective, have a way of transforming before our eyes. Looking at Nothing Is Empty (2025), one of his new works on display as part of his new solo show Vicious Circles at Modern Art, Paris, a viewer’s thought process might go something like this: “Are those stray bullets lolling around a shadowy city corner? No, they’re too big to be bullets.hellip;

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