“It is important to me that the woman is not perceived only through her body, but also through her own gaze,” says Adéla Janská, whose large scale paintings of doll-like figures are now on display at Rolando Anselmi gallery in a solo show titled Near Field. “I feel that the gaze largely determines who the woman in the painting is.” Familiar yet strange, Janská’s figures appear to dwell in ahellip;

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