Imperfection was a signature of Martin Margiela – unravelling hems, careworn fabrics, the old, disused and forgotten rediscovered, still marked with the grime of time. There was an immediate echo of that in Glenn Martens’ debut Maison Margiela ready-to-wear show – not in the clothes, but the staging itself. An orchestra peopled with 61 young musicians, agedhellip;

read more raquo;

nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;
View Gallery (61 images)nbsp;