If you want a house all your own, you need to build. That’s what Sarah Burton is doing at Givenchy, namely building on the foundation she established last season, of forceful tailoring, of mid-century shaped couture gowns cut to new proportions, of dresses crafted straight from the room known in French as manutention, where the bolts of fabric are stored. Her Givenchy is about making, a couture house as a place of work. 

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