From a haunted teen on the brink of the end in Richard Kelly’s time-displacing Donnie Darko to the yearning ranch hand in Ang Lee’s Brokeback Mountain, the perverse and desperate freelancer in Dan Gilroy’s Nightcrawler to the deranged zoologist in Bong Joon-Ho’s morally reflective Okja and the puppy-eyed commitment-phobe in Edward Zwick’s Love amp; Other Drugs, Jake Gyllenhaal’s cinematic oeuvre is nothing if not diverse. 

Good cop,hellip;

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