It is easy to forget that Peter Hujar, now canonised as one of New York’s great chroniclers of intimacy and marginal life, once lived with a monkish frugality that bordered on the absurd: washing his clothes in the sink, sustaining himself on canapés scavenged from parties. But Hujar suspected that recognition would come late. On Wednesday evening at the Institute of Contemporary Arts in London, Another Man marked that belatedness with a screening ofhellip;

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